Cristian macelaru conductor biography template

The majesty of the first movement, not overstated, was pellucid in its direction. In the heavenly slow movement, Time was suspended. And the finale was a musical life force. Herald Scotland. Talk about planetary alignment. Contrast ran high throughout the performance. Light years versus miles. Macelaru shaped as a grand crescendo, building up to an irrepressible surge by the subtlest of degrees.

The latter, meanwhile, he removed from all time and place; for those moments, there was nothing but radiant strings and the ravishing, disembodied voices of the women in the Blossom Festival Chorus. The Plain Dealer. This work, which concluded the evening, was given as fresh and inspired a performance as one could want. Here, the conductor began almost imperceptibly, and allowed the music to unfold simply, to its noble climax.

The effect was quite moving. Cincinnati Enquirer. He sought boldness, as though wrapping the hall in a thick, heavy velvet Rachmaninoff bow that implied a gift of some extravagance and possibly decadence. For the Symphonic Dances, Macelaru further increased the dosage of orchestra steroids. Even so, details came through well. The L.

Phil responded spectacularly. Los Angeles Times. The New York Times. The level of passion and precision achieved on a tight rehearsal schedule was remarkable. San Francisco Chronicle. The Washington Post. View fullsize. Using his leadership role as a platform for engagement, he has brought artists, audience members, and festival executives into a shared creative process through open rehearsals and interaction with the composers in residence.

He also holds annual conducting masterclasses in Timisoara with the Romanian Chamber Orchestra and each year calls for scores from young Romanian composers. More than 40 compositions thus far have been written through this initiative. He also played in the first violin section of the Houston Symphony for two seasons. His international career was launched in when he was asked to step in for Pierre Boulez with the Chicago Symphony Orchestra.

Nicola has continued her role as a dedicated, passionate ambassador and leader in music education. Her commitment to supporting music in education was underlined in when she established The Benedetti Foundation. Since its launch in January , the Foundation has worked with over 54, participants, ages , from countries through its transformative in-person workshops and online sessions for young people, students, teachers and adult learners.

The Benedetti Foundation unites those who believe that music is integral to life's education and demonstrates ground-breaking teaching by producing and delivering innovative and creative musical experiences accessible to all. An exclusive Decca Universal Music artist, Nicola has an impressive and varied catalogue. In taking the role, Nicola is both the first Scottish and the first female Festival Director since the Festival began in In addition, Nicola has received nine honorary degrees to date.

Nicola plays the Gariel Stradivarius , courtesy of Jonathan Moulds. Jan 23, Dec 2, Oct 11, In June , the orchestra announced an extension of his contract through July The family resides in Paris. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects.

Cristian macelaru conductor biography template

Wikidata item. Romanian conductor born Biography [ edit ]. Recordings [ edit ]. References [ edit ]. The New York Times. Retrieved Birmingham News Alabama Media Group. CSO Sounds and Stories. Cincinnati Symphony Orchestra. Santa Cruz Sentinel. Le Figaro.