Sebastian del grosso biography of michael
A skilful artist has brought his selfies to life — by sketching himself into the picture to make the photographs look like paintings. Sebastien Del Grosso, 33, from Paris, first came up with the idea when he wanted to update his Facebook profile picture and has since developed a quirky collection of images. After taking a self-portrait, the digital artist started to sketch himself into the picture.
But rather than completely transforming his pictures into a complete sketch, the artist only partially adapted the original pictures, creating an interesting composite effect. This is then used to make the photographs appear in part like black and white paintings. The pencil strokes are fast and nervous, and so give the impression of a construction.
It is in fact a multitude of brush strokes, black or white, which serve to highlight, or rather mitigate some facial features, and clothing. Grandmother fighting to stay in Australia after 40 years Down Under is hit with a stunning blow to the last Is this the toughest job in Britain? Energy Secretary Ed Miliband hires a taxpayer funded vanity The man who let a cannibal cut off his penis so they could eat it together… then allowed his murderer to Gisele Pelicot's family are 'torn apart' after husband's rape trial as their daughter claims the Revealed: The bizarre nickname King Charles gave Meghan Markle while she was still a working royal Lesbian couple trolled for looking like 'mother and son' reveal they're raising money for baby essentials Moment thieves 'bomb' their way into Dutch museum in explosive heist of 'priceless' 2,year-old gold Controversial 'fake lesbian' pop duo look unrecognisable more than two decades after provocative music video Vladimir Putin will deploy hypersonic 'wonder weapon that can reach 4,C and hit Britain in just nine Strictly star Wynne Evans is 'hanging on to his job' after sick sexual jibe about female presenter just Rachel Reeves admits she's 'more of a Beyonce' fan when asked to name her favourite Beatles song - as Kemi Would you wear it?
Internet divided over very dramatic bridal look How tall was Goliath? Scientists reveal the surprising height of the Biblical giant I tracked Lorraine Kelly's absences after spotting that she's constantly missing from her own show - I was Legendary French footballer's model daughter bares a striking resemblance to her genetically blessed father Vicious son headbutted, bit and burned his mother with frying pan oil in brutal attack at her home Fury as transgender killer is allowed out of prison for surgery to reduce the size of Adam's apple Vet reveals the top five dogs you should never own - including a Labrador Donald Trump and Sir Keir Starmer speak by phone as the US president chooses the Prime Minister for his The trick is to use the black Brush in a subdued mode and the white in inlay mode.
I first applied many thick strokes and then used the Eraser tool for the finish. Once I was happy with the result, I duplicated the layers to make some of them blurry and then adjusted the layer Opacity. The pencil drawing was bold and nervous to ensure that the viewer sees a work in progress; essentially, the drawing gives birth to reality.
I used the Eraser tool to remove some details in the top layer, revealing the background picture. The best way to do this is to use a sharp Brush; the larger ones are ineffective for this kind of work. I was then sure to have a sharper image with no glitches. Sometimes I need to take a break from an image and return to it a few days later.
This helps me to see it differently, and I can often find mistakes that I may not have noticed before. It has to look realistic and balanced. If your rendering is not perfect, you can always come back to your image later, using new techniques you have learned. And last but not least, follow your heart and not the crowd.
Sebastian del grosso biography of michael
Who are your favorite photographers and more importantly, how has your appreciation of their work affected how you approach your own photography? It's difficult to cite only one, there are so many. The first that comes to mind, is Joel Tjintjelaar who inspired me the most to pursue architectural photography. His black and white renderings are very clean and the minimalism that emerges from each of his images is very impressive.
Marc Adamus is a master of light and color, his landscapes are totally amazing. I would like to explore his vision in my future landscape work. Magdalena Wasiczek and Fabien Bravin are my favorite macro photographers and Marsel van Oosten is a sublime nature photographer. Michal Karcz and Erik Johansson are magicians, their compositions are very impressive and hyper-realistic.
Is there is any specific photo taken by another photographer that has inspired you a big deal and why? I cannot name only one. Every day I see pictures that inspire me. Sometimes I discover a new and very talented photographer on flickr, or an outstanding image on px and that allows me to discover a superb gallery. There are many talents, everywhere, in all areas.
Are there any specific directions that you would like to take your photography in the future or any specific goals that you wish to achieve? The problem is that I would like to discover and experience every style photography offers. Unfortunately, I don't have the time. I have a ton of ideas drawn on paper and I hope, with time, I can realize all of them.
First, I would like to develop my architecture series maybe in other cities such as London, Berlin or Frankfurt…. I have many more creative and innovative ideas in my head and they will be challenging to realize. But I hope I will be successful in achieving them all. At some point, I would like to turn my series into a book with detailed text on each image.
Perhaps a real exhibition is a possibility. I'm always on the lookout for interesting contacts and propositions. Describe your favorite photograph taken by you and why it is special to you? I think one of my favorite pictures is "Sketch THE life" since it is one of the center pieces of my series "The sketch life of A life.