Neo romanticism music composers biography

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Neo romanticism music composers biography

Forgot password? Don't have an account? Sign in via your Institution. You could not be signed in, please check and try again. Sign in with your library card Please enter your library card number. Your current browser may not support copying via this button. Facebook LinkedIn Twitter. In the late twentieth century, the term Neoromanticism came to suggest a music that imitated the high emotional saturation of the music of for example Schumann [ Romanticism ], but in the s it meant a subdued and modest sort of emotionalism, in which the excessive gestures of the Expressionists were boiled down into some solid residue of stable feeling.

Thus, in Albright's view, neoromanticism in the s was not a return to romanticism but, on the contrary, a tempering of an overheated post-romanticism. In this sense, Virgil Thomson proclaimed himself to be "most easily-labeled practitioner [of Neo-Romanticism] in America," [ 3 ]. Neo-Romanticism involves rounded melodic material the neo-Classicists affected angular themes and the frank expression of personal sentiments.

That position is an esthetic one purely, because technically we are eclectic. Our contribution to contemporary esthetics has been to pose the problems of sincerity in a new way. We are not out to impress, and we dislike inflated emotions. The feelings we really have are the only ones we think worthy of expression. Sentiment is our subject and sometimes landscape , but preferably a landscape with figures.

Since the mids the term has come to be identified with neoconservative postmodernism , especially in Germany, Austria, and the United States, with composers such as Wolfgang Rihm and George Rochberg. Contents move to sidebar hide.